No, this isn’t a pet peeve about discussion. I’m opening the floor to what may or may not be a pet peeve for you.

Recently, my friend Richard and I got into a recent discussion. The main subject was that of blogging for money.

While I believe that sometimes you just have to do what’s necessary to pay the rent, I also agree with a comment Richard made:

“Part of me thinks that the old way is better, that writers who are published through traditional means are more respectable.”

I believe traditionally (in regards to submission process, not format for the e-authors out there) published authors have a more respectable position in the writing world than the average blogger who signed up with one of the many advertising sites. Younger writers and bloggers may cry no fair on that one, but no one should be an instant hit. You have to work at honing your craft, which might not be such a necessary thing to put on your resume when posting reviews and advertisements for these companies.

I mean no insult to writers who do this, but I have no doubt that with some companies, a lower quality writer with higher traffic (though ideally that shouldn’t happen) would be chosen over a higher quality writer with lower traffic.

What happens, though, is both low and high quality writers are hired so there’s little to have as far as respectability goes with this sort of writing.

I read a post called Should I Blog for Money? over at ProBlogger which I found interesting. There are a lot of pitfalls when it comes to blog advertising – including ruining your reputation – but would you take the chance? Or do you hold to the ideal of being traditionally published?

Where do you draw the line? Is working for PayPerPost or the like wrong while working for an advertising company offline acceptable? Is it the same thing or different?

Does it come down to a matter of necessity or a matter of honor?

Let me know what you think. Where do you draw the line with your writing? Do bloggers advertising hold a place on your writing related pet peeve list?

Two years ago, if you would have called me a poet, I would have backed away shaking my head. One year ago, I would have smiled and nodded. I may have not been writing poetry for long, but in my short time writing and critiquing it, a few pet peeves have arisen.

While capitalizing the first letter of the first word on every line may be a stylistic poetry, I’ve never seen it used in a way I’d know it was a stylistic choice instead of a mistake.

In my experience, capitalizing in that way in poetry shows one of three things:

a.) you didn’t take the time to check it over after you typed it in your word processor
b.) you’re new to poetry
or
c.) both

If you hate the tediousness of going back and correcting the capitalization, Microsoft Word has a way to turn it off and on as you please.

At the top of the screen, go to “Tools” and then “AutoCorrect Options” in the drop down menu.

It’s worth the correction, not only to show you care about your own work but that you have respect for your readers.

I love paragraph breaks. They’re so useful. They make things neat. They make things easier to read. Also, their misuse is a pet peeve which rarely grinds me because most people understand the art of the paragraph break. Rarely do you find

someone who

puts their paragraph breaks in such horrendously

wrong

places

as is demonstrated right now.

However, I have seen someone recently break the most basic rules of the paragraph break, and thus I must post about it.

The above is not attractive, but even less attractive is:

“So what do we do now?” Aaron asked. Eve raised her hand. “My house is closest.” Ariana tapped her foot on the ground. “Why don’t we go there? Maybe we can figure out what’s going on. Find someone to help.” Carlos clicked his heels together in front of her and saluted. “As you command!” She frowned. “Help how?” Aaron asked. “What’s going on?” Christopher laughed. “That meaning this isn’t all a dream?” Sunny cleared her throat. “Why don’t we walk? If this is a dream, it can’t hurt.” Suddenly, Eve stopped and stared at something behind Ariana. Her eyes went wide and she fainted. Christopher caught her and looked in the direction she looked and his mouth dropped open. Ariana’s hands started to shake and a chill ran down her spine. She slowly turned around and looked up. A huge creature stood about a yard in front of her.

The piece I saw wasn’t quite that bad, but I’d hazard a guess it was only so because three characters were involved whereas six are here. Not only is this aesthetically just…yuck, it’s hard, if not impossible to understand who is speaking in some places.

There are basic rules you should always remember about paragraph breaks:

When someone new speaks, s/he gets a brand new paragraph all his/her own. We authors are generous like that. (This doesn’t mean the first words have to be part of the dialogue which will be spoken.)

“So what do we do now?” Aaron asked.

Eve raised her hand. “My house is closest.”

When someone other than the current speaker has an action, bam! New paragraph.

Carlos clicked his heels together in front of her and saluted. “As you command!”

She frowned.

If you have something like “suddenly,” “without warning,” “however,” or “all in all” starting a sentence, it should likely be starting a new paragraph as well. Imagine it being like a camera suddenly moving to another piece of action. The paragraph is the moment between what you were reading and the next action.

“Why don’t we walk? If this is a dream, it can’t hurt.”

Suddenly, Eve stopped and stared at something behind Ariana.

If one of your characters has a small movement while another is speaking, and you’d rather not put in breaks, try turning something like this:

“Thank you all for coming here today,” Senator Spencer said. “I realize these aren’t the best of times, and your time is more valuable than ever.”

Peter chewed on his thumbnail as the Senator spoke.

“Today I’m here to talk to you about a pressing issue which can and will play a part in all your lives in the coming years.”

into something like:

“Thank you all for coming here today,” Senator Spencer said, completely oblivious to Peter chewing on his thumbnail while staring at her with complete loathing. “I realize these aren’t the best of times, and your time is more valuable than ever. Today I’m here to talk to you about a pressing issue which can and will play a part in all your lives in the coming years.”

(Both are acceptable; everything depends on the flow of your writing and how fast you want things to move.)

Paragraph breaks are still the same as most things are in the writing arena – flexible. However, they aren’t as flexible as other things, and you should be careful with them. Whether typing or writing, you should cultivate your inner editor to give you a little alarm when your paragraph is getting too long. For me, the sensation is one of slight discomfort. I frown at what I’m working on for about three seconds before penning in the paragraph symbol or pressing the “enter” key.

Quick tip: Don’t forget about what medium you piece will ultimately be in. When working on a newsletter, one sentence can be more than enough for newsletter paragraph length. For blogging, I usually use more breaks than when writing one of my novels. Readability is key.